Intersectional Stargazing: Review by New Haven Arts Paper

Recently, Jacquelyn Gleisner of the New Haven Arts Paper came by Planetaria, currently on view at the Institute Library, and offered a really complex and thoughtful exhibition review.

Ong’s print Seagull (2020) emphasizes the theme of visibility—particularly, how humans see themselves within their visions of the cosmos. As the exhibition title implies, Ong has constructed a space for viewing maps of the solar system. From medieval volvelles to Tarot cards and Chinese astronomy, Ong reinterprets various representations of celestial bodies and other cosmological forms. She injects a feminist and highly personal narrative into the works collected in her solo show at The Gallery Upstairs at the Institute Library through Sept. 8…

…The mysterious pull of the beyond spirals from a glowing amber circle in Diaspora Nova, one of four vertical, wall-mounted shadow boxes in the show. Curving along the bottom of the composition, a golden italicized font asks “when will you burst into the splendor of your miracle arrival?” hinting at Ong’s journey as a mother. As an artist and a parent, Ong alters cosmological narratives that have prized a male perspective. She favors intersectional viewpoints, not only for herself, but also for her son and for other marginalized voices.

I appreciate the way she unpacks the layers of histories and nuances with keen attention to detail. You can enjoy her full review here:

Read the review →